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One thing I've become more and more convinced about over the last year is that listening to French shouldn't feel like an exam.
Yet that's exactly how many of us approach it.
We press play already wondering how much we're going to miss. A minute later we're counting all the words we didn't recognise and quietly deciding that our listening isn't very good.
I don't think that's how French is meant to be experienced.
When you spend time in France, nobody hands you a comprehension test as you walk through the market.
Nobody asks you to remember every sentence you overhear in a café.
Nobody expects you to understand every announcement at the station.
You simply notice things.
A phrase catches your ear.
You recognise a familiar word.
You begin to hear the rhythm of the language.
Little by little, French starts to feel more familiar.
That's the feeling I wanted to recreate when I began rethinking our Listening Library.
Rather than organising it by level or trying to decide whether something is A2, B1 or B2, I started asking a different question.
"What experience would you like today?"
Perhaps you'd like to follow a French song.
Perhaps you're in the mood to wander around a market.
Maybe you'd like to hear how French sounds on the radio while you're making a cup of tea.
Or perhaps you've got twenty minutes to sit down and watch a television programme with a little more concentration.
Suddenly the library stopped feeling like a collection of listening exercises.
It started feeling much more like a visit to France.
You'll find songs that help you hear words you've already met.
News stories that explain what's happening in France today.
Television programmes that let you listen to natural conversations.
Podcasts where you can simply enjoy listening to people talk.
Visits to markets and other real places where French unfolds naturally around you.
Each journey is slightly different, just as every day in France is slightly different.
Some days you might feel like concentrating.
Other days you might simply want French playing quietly in the background while you cook dinner or fold the washing.
Both have value.
One of the biggest surprises for many learners is realising that listening doesn't always have to be intensive.
Sometimes it's enough just to spend time around the language.
Children don't only learn by being taught.
They also learn by hearing the same sounds, rhythms and expressions day after day until they gradually become familiar.
As adults, we can sometimes forget the value of that gentle exposure.
We put ourselves under pressure to understand everything immediately when, quite often, what we really need is to become comfortable with not understanding everything yet.
Ironically, that's often when our listening starts to improve.
So the Listening Library isn't somewhere to visit only when you feel particularly studious.
It's somewhere to dip into whenever you fancy spending a little time in France.
Some days you'll leave with a new expression.
Some days you'll simply enjoy hearing French all around you.
Both are worthwhile.
If the library feels a little different now, that's because it is.
It's no longer organised around what level you think you are.
It's organised around the different ways you can experience French.
I rather like that.
After all, none of us falls in love with a language because of an exercise.
We fall in love with it because, every now and then, it transports us somewhere else.
If the Listening Library can do a little of that from your own home, then I think it's doing exactly what it was designed to do.